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November 10, 2018

AO2 & AO4 RESEARCH: DISTRIBUTION & MARKETING

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PRE LIM TASK: PHOTOSHOP EXPERIMENTATION
PRE LIM TASK: REVERSE ENGINEERING
AO2 & AO4 RESEARCH: CONVENTIONS OF A SHORT FILM
AO2 & AO4 ANALYSIS OF A SHORT FILM 1: THE BIG SHAVE (1967)
AO2 & AO4 ANALYSIS OF A SHORT FILM 2: LIGHTS OUT (2013)
AO2 & AO4 ANALYSIS OF A SHORT FILM 3: THE FLY (2013)
AO2 & AO4 ANALYSIS OF A FILM POSTCARD 1: LITTLE MISS SUNSHINE
AO2 & AO4 ANALYSIS OF A FILM POSTCARD 2: ANIMALS
AO2 & AO4 ANALYSIS OF A FILM WEBSITE 1: ANIMALS
AO2 & AO4 ANALYSIS OF A FILM WEBSITE 2: THE FLY
AO2 & AO4: CROSS MEDIA INVESTIGATION
AO2 & AO4 RESEARCH: DISTRIBUTION & MARKETING
AO2 & AO3: INITIAL IDEAS MINDMAP
AO2 & AO4 RESEARCH: GENRE & REPERTOIRE OF ELEMENTS
AO2 & AO4 RESEARCH: NARRATIVE THEORIES
AO3 & AO4: AUDIENCE QUESTIONNAIRE & RESULTS
AO2 & AO4 AUDIENCE PROFILE: DEMOGRAPHICS & PSYCHOGRAPHICS
AO2 & AO4 AUDIENCE THEORY: USES & GRATIFICATION
AO2 & AO3: DEVELOPMENT OF PROTAGONIST
AO2 & AO3: CHARACTER PROFILES
AO2 & AO3 RESEARCH: TYPOGRAPHY EXPERIMENTATION
AO2 & AO4: FOCUS GROUP
AO2 & AO3: AUDIENCE CONSIDERATION GRID
AO2 & AO3: FILM SCRIPT
AO2 & AO3: FINAL STORYBOARD
AO3 & AO4: LOCATION SCOUTING
AO3 & AO4: AUDITION POSTER
AO3: CAST & CREW LIST
AO3 & AO4: SOUND RESEARCH
AO2 & AO3 PLANNING: PROP AND COSTUME LIST
AO3: FLOOR PLANS
AO3: RISK ASSESSMENT
AO3: FILM SCHEDULE
AO3: CALL SHEETS
AO3: EQUIPMENT LIST
AO2 & AO3: EDITING TO CREATE STYLE AND MEANING
AO3: FILM PRODUCTION DIARY
AO2 & AO3: ANNOTATED MOCKUP OF WEBSITE
AO2 & AO3: WEBSITE WIREFRAME
AO2 & AO3: ANNOTATED MOCKUP OF POSTCARD
AO3 PRODUCTION DIARY: PROMOTIONAL POSTCARD
AO3 & AO4: DRAFT POSTCARD
AO3 & AO4: DRAFT SHORT FILM
EXTRA RESEARCH: REMAKING A FILM POSTER
EXTRA RESEARCH: CREATING A FILM POSTCARD
FEEDBACK ON DRAFT: DECISIONS & REVISIONS
FINAL PRODUCT: SHORT FILM WEBSITE
FINAL PRODUCT: PROMOTIONAL POSTCARD
FINAL PRODUCT: SHORT FILM
CREATIVE CRITICAL REFLECTION 1
CREATIVE CRITICAL REFLECTION 2
CREATIVE CRITICAL REFLECTION 3
CREATIVE CRITICAL REFLECTION 4

AO2 & AO4 RESEARCH: DISTRIBUTION & MARKETING

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